Ecological Gyre Theory
Chantelle Mitchell & Jaxon Waterhouse

Chantelle Mitchell (VIC) and Jaxon Waterhouse (NT) are long term collaborators, working together as Ecological Gyre Theory, a multidisciplinary artistic research project.

This project manifests as curatorial practice, experimental writing, sculptural and installation practice and academic research.

In 2023, Chantelle and Jaxon were the Monash University Art, Design and Architecture Gallery Curators in Residence, presenting three exhibitions and a series of programs with Australian and international artists in consideration of concepts drawn from the theoretical frameworks of anthropologist Tim Ingold. They have published widely across contemporary theory and ecology.

Together, they were co-directors of Ordinance, a contemporary arts space in Narrm.





︎︎︎ ecologicalgyretheory@gmail.com

Shapes on the Horizon: 
Reading the Pumice Raft and Migration through Agentic Ecologies and Australian Border Control

Metaphors of Migration, On_Culture, Issue 10, 2020




Following the eruption of geologic matter from an undersea volcano in 2019, its passage through ocean waters and rendering in media representations, to traversals of these same waters by asylum seekers journeying to Australia, we seek to draw a line between mediatisation, attention, and flow as it relates to the drawing of borders. Through considerations of the agentic power of bodies, toward a reading of Australian history and cultural identity, our text parallels the traversal of the smooth space of the ocean by the pumice raft through its being and representation within an Australian context, with traversals of sea made by asylum seekers.

The raft and the migrant disrupt Deleuzoguattarian concepts of the smooth and the striated. From the moment of Invasion, through the persistence of xenophobic attitudes to the Other, shifting borders and contemporary border policy developments, we follow the ongoing attempts of the nation-state to stratify the smooth. Positioning the raft and the migrant within the framework of holey space, we endeavor to elucidate aspects of Australia’s nissology, littoral ensconcement and political environment — entwining the oceanic with lived experiences, bridging gaps between the human and the more-than-human in moving toward apprehensions of power and control in relation to our oceanic surrounds.

In stepping into these flows, whereby we encounter the striations of power and control, we step through Australian history, from Invasion to recent attempts to legislate refugee arrivals. In doing so, the sea and the shore become troubled sites, in which the arrival of bodies upon the shore, both human and other-than-human, are refigured as abject and aberrant.


Mark
© 2345—45/42 Lipsum